{"created":"2024-07-17T07:17:23.093525+00:00","id":2000154,"links":{},"metadata":{"_buckets":{"deposit":"e7c6f361-9eef-4eb2-9073-1576dbddbb39"},"_deposit":{"created_by":11,"id":"2000154","owner":"11","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"2000154"},"status":"published"},"_oai":{"id":"oai:geidai.repo.nii.ac.jp:02000154","sets":["14","14:18","14:18:1721184219760"]},"author_link":[],"item_10002_alternative_title_1":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Re-interpretation of musical thinking in the works of Simon Steen-Andersen : analysis of his works and relationships between works and concepts of Helmut Lachenmann","subitem_alternative_title_language":"en"}]},"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2024-03-15","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"116, 176","bibliographicPageStart":"101","bibliographicVolumeNumber":"49","bibliographic_titles":[{"bibliographic_title":"東京藝術大学音楽学部紀要","bibliographic_titleLang":"ja"}]}]},"item_10002_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"names":[{"name":"Tanaka, Shoichiro","nameLang":"en"}]}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"東京藝術大学音楽学部","subitem_publisher_language":"ja"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN1006594X","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09148787","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"田中, 翔一朗","creatorNameLang":"ja"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2024-07-17"}],"filename":"No.49-07_TANAKA.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","url":{"label":"本文","url":"https://geidai.repo.nii.ac.jp/record/2000154/files/No.49-07_TANAKA.pdf"},"version_id":"0fe16d32-908e-4d19-a9ea-587049bc764f"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"シモン・ステン＝アナーセンにおける音楽概念の「再解釈」 : ヘルムート・ラッヘンマンとの関連性を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"シモン・ステン＝アナーセンにおける音楽概念の「再解釈」 : ヘルムート・ラッヘンマンとの関連性を中心に","subitem_title_language":"ja"}]},"item_type_id":"10002","owner":"11","path":["14","18","1721184219760"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2024-07-17"},"publish_date":"2024-07-17","publish_status":"0","recid":"2000154","relation_version_is_last":true,"title":["シモン・ステン＝アナーセンにおける音楽概念の「再解釈」 : ヘルムート・ラッヘンマンとの関連性を中心に"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2024-07-17T07:24:04.579471+00:00"}